Follows pizza competitors from all walks of life to showcase their pizza slinging skills and battle it out for $10,000.

A cafeteria owner has problems with gangsters and gets more trouble by hiring 'Fatty' Arbuckle and chef.

Lenny Rosenberg and Adesa Swan co-host this hot new show while they travel across the country to find food businesses that need their help. They buy the owners out or they invest with them while using there own money to make the food establishment a winner. Lenny uses his skills from the experience of buying and selling over 25 retail stores and Adesa uses her expertise that she has preformed in design and decor from coast to coast. Together they make a unstoppable team.

Malou is a woman living in a fancy Stockholm suburb, but her successful facade is on the verge of collapsing . When she happens to stumble across 47 million SEK from a robbery, she opens up a bakery in order to launder the money. Liana is an indebted single mom who was abandoned when her ex got arrested for that same robbery. When Liana unwillingly gets involved in the hunt for the money, the two women's paths cross.

In Dough, women are squished alone into tiny compartments like boxed jewels or battery farm hens. With their cells linked by a system of tubes, shoots and holes, they all perform bizarre functions in a production line. This culminates with a teardrop drawn by sniffing flowers, which runs down a huge woman's dimpled legs and then drips off her toe through a hole in the floor to impregnate a lump of dough beneath, which is then vacuum-packed. It shows a neat division of labour in the creation of pointless products, with implications that reach way beyond the beauty industry, to capitalism's mindless cycle of production and consumption. Rottenberg's boxed-in workforce has much to say about a culture that at once idolises, fetishises and exploits women's bodies – from female sweatshop workers to the desirable distortions of pin-up girls. Works like Dough first made the Buenos Aires-born, New York-based artist's name in the mid-2000s. More recently, she's broadened her vision, tackling globalisation and a shrinking world. https://www.guggenheim.org/artwork/17312

After a trip to Hollywood, two young ladies attempt to hitchhike home but end up at a star-filled rodeo.

Frank and Lou are brothers, running the family's bakery, a fixture in their Bronx neighborhood since 1921. Lou loves it, but the rest of his life is in tatters: he lives alone, bets on the horses, and owes a loan shark. Frank, older, married, and always responsible, wants to get out of the bakery and pursue other dreams. Things come to a head on the day Lou's marker comes due and Frank announces big news. They find themselves reflecting on the life choices they've made.

The grandmother is torn at home and does not have time to do several things at once. She urgently needs to go to the store, and she put the dough. So that the dough does not run away, the grandmother asks to take care her granddaughter Zhenya. It would seem that nothing complicated, but Zhenya has more important things, such as to take a walk, play with her friends, and therefore she puts the grandmother's request on a dog. The dog also does not want to guard the dough, and therefore he delegates this important task to the cat. The cat is even more lazy to engage in such nonsense, and she has to ask the mouse to look after the household. As a result, the stubborn dough ran away, and now you need to know where to look for it.

Animated poems about foolish people who waste their money and learn the hard way about basic advice about wise consumerism.

A festive holiday special, hosted by Tituss Burgess, featuring teams from around the world transported to a magical snowy village, Snowdome, and thrown into a spirited competition to compete for the title of Best in Snow.